Win-It Wednesday + Cover Stories: Five Flavors of Dumb by Antony John

Last week's winner of I Was Jane Austen's Best Friend by Cora Harrison is... Genevieve! Send me your address, G. (BTW, the final vote count on US vs. UK cover was 22 to 5, with the UK's graphic design crushing the US's photo version!).This week, Antony John (whose first novel, Busted: Confessions of an Accidental Player shares a cover model with Siobhan Vivian's second book) is here to talk about his upcoming release (next week!) Five Flavors of Dumb. It has an epic cover, as far as I'm concerned, and I'm also reading it and loooving the book. So, you know, you really want to win this one. Read the Cover Story and weigh in to enter. Here's Antony! "Believe it or not, as I was writing DUMB I didn't have a clue what the cover would look like. I'm sure that's quite unusual, but I simply couldn't imagine a design that would capture the essence and attitude of the novel without looking seriously weird. I mean, the book touches on everything from deafness to rock 'n' roll to family relationships to college funds to secret crushes to self-identity and, uh... chess. What cover could possibly hope to encompass all of that, right? So I just gave up thinking about it altogether. Looking back, it was kind of nice not to have to worry about the cover as well as every other aspect of the novel. "Of course, the flip side of having ZERO input is that I had no clue what the finished cover would look like. My editor, Liz Waniewski, emailed it to me last November, just as friends were arriving, so I got to open it in front of them. Trust me: I wasn't the only one who used a really good expletive to describe it. Then I forwarded it to my wife (even though I wasn't supposed to; I just couldn't resist, you know?) and she wrote back within about seven seconds with a similarly giddy response. Seriously, it was just one of those 'THEY NAILED IT!' moments that you dream about as an author. "My editor then asked if there were any changes I'd like (uh, no), or perhaps minor tweaks (uh... no), or alterations to the font style (uh, let me think about this...NO!). I really wanted to seem engaged and critical, but all I think was, 'Please don't change this cover.' Thankfully, all the sales and marketing people liked it too (as did booksellers), so the whole thing was wrapped up in record time. I owe the designer, Kristin Smith, big time! "I have since discovered that Kristin's approach was similarly unconventional. Apparently, she usually prepares several different 'comps,' but with DUMB, she knew she wanted to evoke the grunge feel of the book through a split-image of band and narrator, so she went all-out on the one design. I know she spent days looking through stock photos until she found the photo of the girl, who conveys Piper's attitude and vibe perfectly. Thankfully, the art director, editor, and publisher all loved her original comp (see below left), and so she was able to dedicate more time to tweaking the lighting, colors, position of the band, font, poster effect, and so on until she arrived at the finished version (below right). "I've had almost a year to look at the cover now, and I still adore it. Piper looks so cool and in control--an anchor for all this chaos. Plus, on the finished cover, the title is debossed, which gives it the appearance of a stamp, as though you're about to enter a club. Finally, several people have commented that it looks like a movie poster; and let's be honest, who wouldn't want to have a movie poster on the front of their book? But most of all, I just love the cover's irresistible vibe." Thanks, Antony! Movie poster: Yes. "Anchor for all this chaos": Yes. This cover RULES. I like the cover tweaks, too--from yellows/greens to pinks/grays. (And it's always good to make the author's name stand out more, which it does on the second version.) You can almost feel the light and the sound, but Piper sits cool and collected among it. L-O-V-E. What do you guys think? Comment below to be entered to win a copy of the book! PS-Everyone who "likes" Antony's new Facebook author page automatically gets entered into another contest to win not only a signed copy of DUMB, but also a copy of WILL GRAYSON, WILL GRAYSON signed by both John Green and David Levithan. So get liking!

Cover Stories: The Mockingbirds by Daisy Whitney

Daisy Whitney's The Mockingbirds is out this week, and she's here to tell the tale behind a cover that reminds me of a classic already!

First, a little about the book:

Themis Academy is a quiet boarding school with an exceptional student body that the administration trusts to always behave the honorable way-the Themis Way. So when Alex is date raped during her junior year, she has two options: stay silent and hope someone helps her, or enlist the Mockingbirds-a secret society of students dedicated to righting the wrongs of their fellow peers. And now here's Daisy:

"As I was writing, I pictured a girl at boarding school ala The Disreputable History of Frankie Landau-Banks by E. Lockhart (left)!

"Ah, but there's the myth that authors have any say over their covers! My editor showed me cover comps throughout the process and I was able to give feedback on the elements I liked. I had suggestions on elements of the bird and the trees and some of them were incorporated. The original cover was red and green (right) and the final is blue and yellow. I'm so happy with the blue version!

"My cover was illustrated by an artist. The final cover design features a blue and yellow bird and the blue matches all my blue shoes! Hurrah! In the end, I love it. I think it's unusual and stands out." Thanks, Daisy! I just think something about this cover looks old-school lit in the best possible timeless way. It also has a great spine, right? (And how about that storyline--whoa! Love.)

What do you guys think?

Cover Stories: Mostly Good Girls by Leila Sales

The cover of Mostly Good Girls by Leila Sales is one of my fall favorites, and not just because I'm obsessed with tights. The book also sounds super-good.

Here's Leila to tell the tale:

"I'm not a visual thinker, so I didn't have a specific vision for the cover. I told my editor that I like covers with a lot of white space and that I like covers with silhouettes (for example Maureen Johnson's THE KEY TO THE GOLDEN FIREBIRD or Natasha Friend's PERFECT). I also had an image in my mind of two girls running away from a school building together. But I had no real idea... There's a reason why I'm a writer and NOT a designer!

"I talked about what Violet and Katie would be wearing, if they were pictured on the cover. It was important to me that they not be wearing high heels because, as anyone at an all-girls school could tell you, students there just don't get that dressed up. Girls-school fashion is a lot of J.Crew jeans and Northface fleeces.

"So, actually, when S&S did the cover shoot, they used Kate Spade shoes with like three-inch heels--and then they photoshopped the heels out to make the shoes look like flats. I was going to buy a pair of to wear to book signings, but when I found out that a) they would cost me a few hundred dollars and b) I wouldn't be able to walk in them because I have no talent for heels, I decided against it.

"The first time I saw the cover comp of a girl in cute tights with her legs crossed (that's the comp on the left), I was happy with it. Truly!

"But I had seen earlier cover comps that I was less thrilled with. There was one that was supposed to be a crumpled-up piece of paper against a white background, which was a great idea, but it was hard to make it actually look like paper. There was another concept that showed a Coach purse against a white background, and I had absolutely no patience for that. It made MOSTLY GOOD GIRLS look like a book about shopping, or THE DEVIL WEARS PRADA for teens. [That's another early comp idea, right, with a different title, Wayward.]

"We all agreed that we wanted a central, memorable image against a clean background, like the PREP cover; it just took a while to figure out what that central image should be.

"They did a photo shoot with a model. Well, she's sort of a model. She works in Simon & Schuster's sales department, actually. I forget, but I think she sells to Borders? This happens regularly in publishing, that a cover designer will approach one of his colleagues and be like, 'Hey, you have great hair/hands/legs/whatever. Will you model for this cover?' No one has ever asked me to do this, but I am holding out hope.

"S&S featured a blow-up of MOSTLY GOOD GIRL's cover at BEA, and all day people were going over to take pictures of it. My friends wanted photos because, you know, I wrote it, while the S&S sales rep's friends wanted photos because her legs are on it. I met the cover model at a BEA cocktail party, actually. I asked her to cross her legs so I could see if it looked just like my book cover or what. She seemed maybe creeped out by this.

"People keep asking me if I'm the cover model, which I take as a huge compliment. I do like wearing tights. But no, my legs are not that skinny.

"I have seen a few commenters on the Internet saying they thought the cover made this book seem like it was going to be about a bunch of slutty, materialistic girls, which of course it's not. But by and large the response has been that the book looks fun, funny, and fashionable, and that was the goal all along.

"I don't think the girl on the cover is necessarily Violet, or Katie, or any other particular character in MOSTLY GOOD GIRLS. I think the cover image is more evoking the feeling of this competitive all-girls prep school, and it does that so well. So I'm honestly pleased with how it turned out. Especially when I see it on display in a bookstore, on a table filled with dark YA covers-- it just pops!"

Thanks, Leila! I am so, so glad everyone kept working to come up with this concept (and especially that the Coach purse did not fly). The final cover creates a record-scratch moment. By that I mean: You stop and stare. Right?

What do you guys think?

Cover Stories: Nightshade by Andrea Cremer

Everyone is raving about Andrea Cremer's Nightshade, and I need to read it! The cover is enchanting, so at least I've got the scoop on that. Here's Andrea: "I had a couple of ideas for the cover--one involved wolves, shadows, and blood; the other was that it would feature the Elemental Cross, an image that plays an important role in the series. I envisioned a more abstract cover than the image we ended up with.

"My publisher did ask for input and at first we were going for the wolves, shadows, blood thing, but then they found Suza Scalora's art--she's the photographer who shot the cover--and we all loved it so we switched gears and focused on finding a model who could be transformed into Calla for the cover.

"I gasped when I saw the cover, as it was so, so beautiful. It was different then anything I'd imagined, but I couldn't love it more. To be honest I wasn't sure how I'd feel about having a face on the cover, but Suza and the art director at Penguin, Linda, absolutely nailed it. Plus I adore the bloody calla lilies. My editor got to drip the blood on the flowers herself!

"The cover didn't change much from the original version. The blood drop was a bit longer, we made sure the 't' in Nightshade resembled the tattoo on Shay's neck and Calla's eye went from green to gold.

"Suza Scalora did a photo shoot with a model. [Wolfsbane and Bloodrose, the next books in this series, will also be shot by Suza Scalora.]

"I couldn't be happier with the Nightshade cover. It fits the book perfectly--it's alluring, mysterious and dangerous. Calla's face is just as I imagined it; people sometimes ask me about the makeup she's wearing because Calla doesn't wear makeup. To me the cover offers an artistic rendering of a particular moment in the story--the makeup to me represents the twilight shadows cast on her face and the glitter is the sparkle of new snow on her cheeks. I don't take is as a literal depiction and I like it that way."

Thanks, Andrea! I love Suza Scalora's site and all the amazing beauty shots there--you guys should definitely scroll through. I think this cover is so soft and fresh looking on the one hand, and so deadly and evil on the other--such a cool balance. And sparkle. I love sparkle.

What do you guys think?

Cover Stories: Girl's Best Friend by Leslie Margolis

The Maggie Brooklyn Mystery series is set in my neighborhood, where author Leslie Margolis also lives! I used to adore mysteries when I was a Middle Grade reader, and the first book in the series -- which was just released this month -- is so adorable that I had to ask her how it happened (I love illustrated middle-grade covers). Here's Leslie:"Girl's Best Friend is the first book in the Maggie Brooklyn Mystery series, which revolves around a twelve-year-old, dog-walking detective. And I must confess - I've been obsessing over what the cover would look like ever since I came up with the idea. "My editor did not ask for my input directly quite possibly because I never gave her the chance to. When she asked for physical descriptions of my main character and the dogs she walks, I sent those along with this additional note: "'Brownstone Brooklyn features prominently in the book and it would be excellent to have that represented somehow... I don't want to be difficult at all, but I've been thinking about the look of the book a lot and wanted to send some links to some covers I really like. Here's hoping you find this helpful rather than annoying!' Harriet the Spy, When You Reach Me and Knuffle Bunny. "Reading this again -- over a year later, I'm sure my email was annoying rather than helpful. And maybe I was difficult, too. But oh well. I had to get it out there. "Harriet the Spy, Knuffle Bunny, and When You Reach Me are three of my favorite books. They are all city stories and they all have striking covers. And Knuffle Bunny actually takes place in Park Slope, Brooklyn, where Maggie lives. "Maybe this technique worked, or maybe Bloomsbury was thinking along the same lines, anyway. All I know is that a few months passed with no word about the cover. And then one day my editor told me they were looking at an illustrator named Tuesday Mourning. "I Googled 'Tuesday Morning' and found a website dedicated to discounted gifts and home accessories based in Dallas, Texas. "I panicked. "Then I checked my editor's email again and saw that the illustrator's last name is actually Mourning, with a 'u'. "I did another Google search, found her blog and fell in love with her work. That's before I even realized she'd done the Paula Danziger re-jackets (like the on on the right). I'm a huge Paula Danziger fan, which made Bloomsbury's choice of illustrator even more thrilling. "Weeks later the first sketch came in (below, left). My editor sent it to me with the following concerns: "'...I'm not sure about the clothes. A scarf in September feels wrong, and the hat -- though cute -- isn't really in keeping with the character. [Although] it does add mystery and style...

*Does Maggie look too old? I'm not sure, especially since the rendering is so stylized, maybe it's OK.

* I love her sideways glance, though I'd like to see just a smidge more of a smile, to make her more inviting.

* The dog looks pure pug, not puggle (or, of course, Irish Wolfhound). I'd like to see this be a puggle. I'd also like him to be actively pulling her, rather than posing. 
Let me know what you think!'" "I agreed, completely. Here's my response: "'Thanks so much for sending this -- I absolutely love this look. Also -- I agree with you on all points. Maggie in Book One is more of an accidental detective so she wouldn't be wearing that hat -- and there are many times in the book where she comments that it's warm so no scarf, either. She looks a tad old but I think if she were smiling and if her clothes were different -- more casual and less sophisticated but still cute she'd look twelve like she's supposed to. "'Regarding the puggle, here's how Maggie describes him: 'He's got that smushed-in pug face but a thinner body and longer legs.' So I agree -- the face seems close but the body type could change. "'Also -- the brownstones in the background look fantastic!' "A week or so later, my editor forwarded me the second sketch (below, right). As you can see, Maggie has lost her hat and scarf and her outfit is more casual. She's also smiling. And there's a shadow in the background to convey mystery, as well as a magnifying glass in Maggie's backpack to show that she's a detective. "The puggle is still pretty short, which bothered me at first. But that day, as I walked my own dog past a real, live puggle nearly identical to the one in the sketch, I felt as if the dog-universe was speaking to me and saying this: there are lots of short puggles in the world and why shouldn't they be represented, too? Let this one go! "So I did. "Oh, but I did have one other comment. I asked if the magnifying glass in Maggie's backpack could be replaced with a pair of binoculars because Maggie actually uses binoculars in the book. My editor said that binoculars don't say 'detective' in the same way as magnifying glasses. And she's totally right. "From that second sketch, the artist went to final art. "And then, I believe, the fabulous Bloomsbury design department took over the task of creating a series look. "When I first saw the 'maggie brooklyn mystery' banner, it was white and lacked the Brooklyn skyline. "The next time I saw the cover, it was finished and absolutely incredible. "When I put Girl's Best Friend next to my worn out copy of Harriet the Spy, I can't help but think that, based on the covers, Maggie could easily be Harriet's long lost, distant third cousin -- one borough removed. Which is kind of how I think of the character, too. "So all in all, I'm completely enchanted." Thanks, Leslie! Okay, first, I looove the brownstones in the back -- they're perfect! I also think the first sketch makes Maggie look like a fashionable high schooler (cool, but not quite the character). And yes, the dog looks more pug than puggle. But in sketch two, I love the hoodie/leggings outfit, the adorable puggle, and even the shadow of a (menacing?) stranger on the block. In the final, I think the colors are gorgeous and the title banner is awesome. What do you guys think?

Cover Stories: The Good, the Bad and the Barbie by Tanya Lee Stone

Tanya Lee Stone's latest book, The Good, the Bad and the Barbie: A Doll's History and Her Impact on Us, is earning raves like this one from Lauren Myracle: ""Holy belly buttons! This is no mere Barbie book. This is a how-to manual about being a girl: a strong, sparky, awesome girl, with Barbie in hand *or* Barbie in the nearest Dumpster!"Love that. Plus, it has a sly, iconic cover. I had to ask Tanya how it came about. Here she is: "I didn't have a picture of the front cover in my head from the beginning, but once I started playing around with all of the dolls in Peter Harrigan's collection (which we used for the photo shoot), I started thinking about the BACK cover. I pictured a border of heads peering from the edge into the middle of the cover (kind of creepy). I fell in love with the Elphaba doll from Wicked, and thought the Twilight dolls were kind of cool (and again, kind of creepy). In the end, we used a great shot the photographer took of a bunch of the international dolls, in a pinwheel formation. I love it. "My publisher did ask for my input. We talked about what image should go on the cover. Should it be a universal favorite (there really isn't one) or not? We all quickly and unanimously agreed it should be the classic 1959 original doll. [See the full original doll, right, with her striped bathing suit and signature white sunglasses in hand.] "As soon as we knew what doll we wanted on the cover, Karen Pike, the photographer I hired to do a lot of the interior doll shots, talked with the designer about the cover concept. The team absolutely nailed it right away. I love the cover! "The designer, who I thank on the dedication page, was fantastic throughout the whole process. She definitely took my comments to heart, even though she didn't always agree. And why would she? I'm not a designer! "I think it's just about the most kick-ass cover I could have imagined for this book. I love the coy, sideways glance of the original Barbie. You can't tell what she's thinking--and I think that plays really well with the themes in the book. Love Barbie or hate her--which way will it go?" Agreed! I think this cover is bewitching in the best possible way. Those pointed eyebrow arches, those wiley eyes, those pouf bangs. She's iconic. What do you guys think?

Cover Stories: Trance by Linda Gerber

Linda Gerber has another pull-you-in title, Trance, out this month. You may remember her cinematic, action-filled Death By... series (remember the covers with the pop-art cut-out covers? LOVE!). She's back to share her new, hypnotizing Cover Story for Trance:"The cover gods at Puffin have been very good to me. Theresa Evangelista was the designer of the Death by Bikini Mysteries covers, and I knew she was the one working on this cover as well, so trusted it would be fabulous. "When I first saw the cover, I was happy with it. I really liked Ashlyn's eyes and the trance-esque circles radiating from the title. "In the end, there was just a subtle change, but it made a huge difference. After the first cover mock-up, they decided red would make the cover pop more than the blue. They were so right! I liked the cover in blue, but I love it in red. Plus, it has this cool, iridescent finish on the final version so that it catches the light. Pretty! "Theresa has done it again. I absolutely love this cover." Thank you, Linda! I agree on the color change. The first one feels colder somehow, but I prefer the warm, red, pulsating nature of the final. What do you guys think?

Cover Stories: The Kid Table by Andrea Seigel

Andrea Seigel had some visual ups and downs with her novel The Kid Table, but she ended up with what I think is a really clean, funny, standout cover. Here's how she got there:

"I read your blog all the time, so I know a lot of authors say they're not visually oriented, but I always have covers in my head. In Kid Table one of the main characters tries to burn the table with a lighter, so probably the first image I pictured was of a magnified formal place card with the book's title in fancy lettering, but the place card destroyed with charred edges, chewed gum stuck to it, etc.

"Bloomsbury told me they were scheduling a photo shoot, so they asked what I thought Ingrid, the narrator, looked like and how she dressed. I started to get nervous at that point because I'd never pictured a cover with an actual person on it, but something more conceptual instead. I told my editor that Ingrid wasn't traditionally cute--in the book she says that she'll get called handsome a lot when she gets older--and I gave them actress Emily VanCamp and model Lauren Bush as examples. These were the pictures I sent. You know, strong nose:

As for Ingrid's clothes, I said she dresses like one of the Robert Palmer video girls (right). In the first event of the book, her hair is slicked back with gel, and she's described as going for simple, sleek mini-dresses.

"When I saw the cover mockup (below left), I had a major meltdown. The emailed image came into my box minutes before I was leaving to drive out to the desert to teach a class, and I just thought, 'Nononononononono.' I called my boyfriend over to look at the laptop. He said, 'Oh. No.' I'm, uh, fairly emotional, so I immediately hit reply and basically told Bloomsbury that the cover was murdering me. And then seconds later an email showed up from my agent that was like, 'Maybe you should have slept on your response?' But during the three-hour drive out to the desert, I only got more worked up.

"I had a huge problem with the girl's styling. It was incredibly off for me. The girl wasn't right either. I took a print-out of the cover to the desert with me and showed it to a few people that day, and most everyone had comments like, 'Oh, you write a book on babysitting?' Or, 'This looks like something I might buy for my niece, who's in fourth-grade.' At that point I sent another email to Bloomsbury saying that I would reimburse them for the photo shoot if they'd let me have cover control. They didn't take me up on that, but they did agree to keep working on the cover. So then we went through a few rounds where they tried to work with the material from the photo shoot:

"But I just couldn't get past the girl. (Let me just clear things up here--the model herself is super cute. I'm sure everyone wants to date her at her school.) But those shoes, those tights, that dress--they were killlllllllling me. My agent, who was so great and supportive through all this, stood behind me and said, 'The girl's got to go.' I wasn't sure it would happen. I starting leaning toward the version with 'The Kid Table' in the big white letters because it blocked out as much of the photo as possible. And then a couple weeks later I was walking my dog and a completely new image showed up on my Blackberry.

"I kissed the top of my dog's head in relief.

"I'm not going to lie. I'm a pain in the ass, and I'm nitpicky. So I asked to see some more edgy combinations of objects/foods to intensify the contrast between adult and teen worlds (my mom served me Kraft on her good silverware, so the combo didn't shock me), but by that point, I think my publisher wanted me dead. So they politely said that the macaroni was staying put. Then I just asked that my name go in black and that we add 'a novel' so readers wouldn't think it was a cookbook. We also went back and forth a bunch of times over the final tag line because I felt the originals were too cutesy.

"And this is where we ended up:

"The new cover is a combination of two stock images, and it is such a clearer representation of the book, which is on the older spectrum of the YA age group and also pretty dark-humored--the narrator, Ingrid, is a maybe sociopath, but you would never get any sense of that angle from the original cover. The new one, though, it conveys a much wryer perspective; it's in keeping with the tone set by the narration. (I also have a longstanding fetish for anything on the seafoam/aqua spectrum because these were the colors of teenage bedroom (a strict marine-life decorating scheme), so I'm totally on board for the blue-green here.) It was so, so important to me that the cover reflect the material inside because I didn't want to sell the book on a false front. I feel like the cover is honest now.

"So in the end, I'm glad I was so vocal about the original because maybe if my reaction wasn't so strong, we wouldn't have gone through so many rounds until we got to the fork. I can almost get myself to cry about how relieved I am that this is the cover instead of the girl wearing the Wet Seal window, circa 2008. Hand to heart. I tear up."

Thanks, Andrea! I have to say that the earlier versions do feel way younger than the final cover. And I think it's important that the author is into the way their story is represented visually. Sadly, the cover is as important as the story inside because it's what gets the story read in the first place!

I think the final cover is sumptuous--the yellow-orange and green-blue play off each other perfectly, and it has a humorous sophistication to it, much like the tone of the book.

What do you guys think? Do you like any of the earlier covers?

Cover Stories + Win-It Wednesday: Her and Me and You by Lauren Strasnick

The winner of last week's copy of hilarious-sounding fake vampire novel Bloodthirsty by Flynn Meaney is... Kristi! Send me your address, K.This week, Lauren Strasnick is here to talk about the cover of her latest book Her and Me and You. Kirkus says, "Strasnick's slim second offering packs a lot into its short chapters: divorce, broken friendships, crushes, the lines between love and sex and more. Characterization, scenes, dialogue and setting are seamlessly distilled into so few sharp, image-rich phrases that the novel reads almost as if it were written in verse... Complex and thought-provoking." How good does that sound? Here's Lauren with the Cover Story (comment below to enter to win a copy of the book!): "I didn't have any specific cover image in mind - but when I finally saw the finished design, I flipped. So gorgeous. It seriously exceeded my expectations. "I didn't give any input for Her and Me and You. I got to choose the shoes (Converse All Stars) that went on the spine of my first book, Nothing Like You. And I was asked for suggestions when S&S was trying to come up with an image for the paperback version of Nothing Like You (see the hardcover and paperback below). "Her and Me and You was born beautiful. It's a stock photo. Makes you want to stroll the snowy streets alone at night, right? Glorious." Thanks, Lauren. I adore the cover! It actually makes me excited for winter days... which I've been dreading. But when I see that lamp-lit street and the snow falling softly, I'm ready! I also am way into the paperback revised cover of Nothing Like You. I am a sucker for that late-day (or maybe early morning?) light. What do you guys think? Comment for a chance to win Her and Me and You!

Cover Stories: Powder Necklace by Nana Ekua Brew-Hammond

Nana Ekua Brew-Hammond's debut novel, Powder Necklace, follows London teenager Lila as she's sent to school in her native Ghana, then yanked back to London, and finally shipped off to New York -- all at her parents' whims. It's a book about dislocation and discovery, and Publishers Weekly says, "the beauty of the prose and the resilience of the heroine make this a winning debut." Plus, the book is gorgeous.Here's Nana to tell the story behind the cover: "For the cover, I envisioned a tin of powder laying on either a blank space or girl's dresser with powder spilling from it -- Ghana has these cool-looking vintage-esque tins of powder that I remember marveling at when I was in school there. I was also thinking a photographic treatment would be cool, in particular, a more literal representation of the title featuring a close-up of a girl's neck dusted with powder. "My editor asked me what I was thinking in terms of the cover so I shared my ideas, which she was really into. I couldn't get her a good reference picture of the powder tin in time, but I did send her some images from my days in boarding school as a reference (that's Nana, right). "I had a bit of anxiety when I got my cover. Seeing it made it real, and I had to ask myself if I could live with this image -- the cover of my first born book! -- FOREVA. The fashion girl in me wondered if I should go more 'editorial' with the cover, i.e. the powder tin, while the Poli Sci & Africana Studies major in me wanted to ensure the image was responsibly portraying Africa. I also recognized I'm a newbie and that the publisher had a far better reference than I did of what would sell on a shelf. I started googling the covers of my favorite authors to get a sense of what was out there and I decided I wanted the cover to clearly and elegantly communicate what the story was about -- and it did! "I LOVE-love-LOVED the photograph. I don't know where they found it, but it was a spot-on evocation of the school in the book, the bonds the character makes with her schoolmates, and the journey she embarks on. I loved the little details too! The sun piercing through, strategically covering their holding hands; the red dirt on the ground; and the uniforms they were wearing. The uniform colors corresponded to the houses the girls lived in in the book. Again, I don't know where they found the shot or who took it, but I want to kiss him/her! I wanted to pump up the photograph and details, so the lime green and initial illustration did not work for me. "I suggested we go with a flower that grew in the area and sent her some images I googled. I also wanted to go with red instead of green since the main character's house color was red. The color change and flower choice made a big difference to me. When she messengered over the final image I was like 'holla!' I would so buy this book." Thanks, Nana! Agreed. This cover is gorgeous, and I love the photograph, the lighting and the flowers. For the record, I also liked the original illustrated treatment, but I think the colors on the final are stunning. What do you guys think?